Stars & Diamonds
Showing posts with label Stars and Diamonds. Show all posts
Showing posts with label Stars and Diamonds. Show all posts
Saturday, January 20, 2018
Monday, July 30, 2012
*NEW* Stars & Diamonds
This design started with a fabulous old frame… long and narrow, it demanded quirky motifs and a sentimental saying.
I borrowed the border idea from an old sampler glimpsed at an antique show, and a romantic phrase from a Bob Dylan song.
I know, I know… pairing Boots of Spanish Leather with an antique-style needlework sampler seems an odd choice, but how could I resist the lines,
Oh, but if I had the stars from the darkest night
And the diamonds from the deepest ocean
I'd forsake them all for your sweet kiss
For that's all I'm wishin' to be ownin'.
The entire model is worked with cross stitches, using one thread worked over-two.
Stitch Count: 268 x 94
Model stitched on DMC 28ct. Natural linen which was coffee stained upon completion.
Using flosses from The Gentle Art: 0420 Gold Leaf, 1130 Wood Smoke, 1190 Fisherman’s Wharf, 7004 Brethren Blue, 7045 Mountain Mist, 7046 Weathered Barn, 7061 Caramel Corn, 7080 Endive
The lovely frame is an antique.
This design is now available in my etsy shop, and will be going out to my distributors and the shops on my automatic shipments list soon. If you prefer to bypass etsy and order directly through me, you can send me an email: beth@heartstringsamplery.com
I borrowed the border idea from an old sampler glimpsed at an antique show, and a romantic phrase from a Bob Dylan song.
I know, I know… pairing Boots of Spanish Leather with an antique-style needlework sampler seems an odd choice, but how could I resist the lines,
Oh, but if I had the stars from the darkest night
And the diamonds from the deepest ocean
I'd forsake them all for your sweet kiss
For that's all I'm wishin' to be ownin'.
The entire model is worked with cross stitches, using one thread worked over-two.
Stitch Count: 268 x 94
Model stitched on DMC 28ct. Natural linen which was coffee stained upon completion.
Using flosses from The Gentle Art: 0420 Gold Leaf, 1130 Wood Smoke, 1190 Fisherman’s Wharf, 7004 Brethren Blue, 7045 Mountain Mist, 7046 Weathered Barn, 7061 Caramel Corn, 7080 Endive
The lovely frame is an antique.
This design is now available in my etsy shop, and will be going out to my distributors and the shops on my automatic shipments list soon. If you prefer to bypass etsy and order directly through me, you can send me an email: beth@heartstringsamplery.com
Wednesday, July 11, 2012
Coming Soon...
... to a needle near you... more designs fresh from my Samplery...
All currently in various stages of readiness... stitched, framed, waiting to be framed, waiting to be stitched, waiting to be finalized.
Charting, dreaming up designs, setting the first threads into linen, crossing those final few X's to make a design complete... my absolute favorite parts of what I do.
Keep coming back for more, and I'll keep doing that thing I do. Deal?
All currently in various stages of readiness... stitched, framed, waiting to be framed, waiting to be stitched, waiting to be finalized.
Charting, dreaming up designs, setting the first threads into linen, crossing those final few X's to make a design complete... my absolute favorite parts of what I do.
Keep coming back for more, and I'll keep doing that thing I do. Deal?
Tuesday, May 22, 2012
Wednesday, May 02, 2012
Here to Stay
One of the guys in my Fred Meyer photo/electronics department yesterday commented, as he handed me my packet of photos, "I picture the walls of your house just covered in counted cross stitch". True dat. Those boys in that department all know me on sight, and most likely have left their fingerprints on more than a few of your chart cover photos. I was really, really happy when they dropped their prices down to .13 cents a photo (from .19 cents!), because it sure is nice being able to get all of my pattern assembly parts in my little town... Where everybody knows my name... and they're always glad I came... (are you singing now?) Before their price adjustment, I was driving 45 minutes away to get my prints done at Costco.
I bet you thought that I had a fancy photo printer and a fancy copier just sitting here at home, always at my convenience, didn't you? Nosirree, chickadee! I keep a small stock on hand of the cover photos for my patterns, just enough for individual sales through my etsy shop, and do those individual copies on my little desktop printer, which eats through ink like nobodies' business. But when one of my distributors places an order, I have to pack everything up and drive ten miles to the UPS Store, where I make my copies. There, my kids are on a first-name basis with the owners and other workers. Those kids have it down to a fine science. If there are no other customers, they can race back and forth across the lobby, or have conversations with one of the employees, but as soon as a customer comes in, they plant their little hineys beside me and my favorite copier. Sometimes we are there for an hour. In which case, we often hop over to Sparky's for a breadstick while the copier is running.
Copies done, photos picked up at Fred's, I then drive home and sit myself down at my kitchen counter and fold, paste, stuff, fold, paste, stuff, fold, paste, stuff, for... forever. Usually accompanied by my laptop and a movie. Each one of your patterns is handled by me at least 4 times before heading out in the mail, and probably takes 5-10 minutes of my time, if you count travel and logistics.
There. Now you know. When you order a pattern from me, not only are you buying a design that spent hours being transferred from my brain to my charting software, and then another double-digit amount of hours being stitched, framed and photographed, you also bought a pattern cover that was another several hours being put together with all of the extra little tidbits I like to add (stories, research, inspiration, instructions). Its not an easy job, I tell you. But, the great part is that I actually LIKE each and every aspect of this work. I LIKE designing the patterns and covers and researching and telling and building relationships with local store workers and training my kids how to behave in public and sitting at my counter watching movies, folding, folding, folding. Okay, so maybe I don't like the fold, paste, stuff part, but that is a pretty small part of the whole, and I can handle it for now. Until the day comes when this job actually pays enough to get a big fancy printer that can do all the work for me. But I'm not holding my breathe. I'm just happy to be able to stay home with my kids and also do something that uses my creative side.
That's also why it hurts to find out about all of the pattern piracy going on these days online. I don't want to know that all of my hard work is being traded for invisible gold coins, or being illegally copied and sold as if it was the real thing. Know who you are buying from! Make sure they are legitimate! And if you get a bad feeling about a seller, or have reason to believe they are participating in pattern piracy, let us designers know! Read more here.
I had absolutely no intention of telling you all of that this morning. What I really logged on to comment about is that not only did the geekiest of the tech nerds at Fred Meyer recognize Counted Cross Stitch from my photos, but I also spotted Counted Cross Stitch at Chevy's this weekend.
You know that when a Tex-Mex restaurant chain uses Cross Stitch on their menu... what? We are mainstream? Current? Trendy? Ha! Well, maybe not, but at least we are such a part of pop culture we get a nod from the graphic designers who drive the ad campaigns. And I'm okay with that.
Cross Stitchers Never Say Die!
I bet you thought that I had a fancy photo printer and a fancy copier just sitting here at home, always at my convenience, didn't you? Nosirree, chickadee! I keep a small stock on hand of the cover photos for my patterns, just enough for individual sales through my etsy shop, and do those individual copies on my little desktop printer, which eats through ink like nobodies' business. But when one of my distributors places an order, I have to pack everything up and drive ten miles to the UPS Store, where I make my copies. There, my kids are on a first-name basis with the owners and other workers. Those kids have it down to a fine science. If there are no other customers, they can race back and forth across the lobby, or have conversations with one of the employees, but as soon as a customer comes in, they plant their little hineys beside me and my favorite copier. Sometimes we are there for an hour. In which case, we often hop over to Sparky's for a breadstick while the copier is running.
Copies done, photos picked up at Fred's, I then drive home and sit myself down at my kitchen counter and fold, paste, stuff, fold, paste, stuff, fold, paste, stuff, for... forever. Usually accompanied by my laptop and a movie. Each one of your patterns is handled by me at least 4 times before heading out in the mail, and probably takes 5-10 minutes of my time, if you count travel and logistics.
There. Now you know. When you order a pattern from me, not only are you buying a design that spent hours being transferred from my brain to my charting software, and then another double-digit amount of hours being stitched, framed and photographed, you also bought a pattern cover that was another several hours being put together with all of the extra little tidbits I like to add (stories, research, inspiration, instructions). Its not an easy job, I tell you. But, the great part is that I actually LIKE each and every aspect of this work. I LIKE designing the patterns and covers and researching and telling and building relationships with local store workers and training my kids how to behave in public and sitting at my counter watching movies, folding, folding, folding. Okay, so maybe I don't like the fold, paste, stuff part, but that is a pretty small part of the whole, and I can handle it for now. Until the day comes when this job actually pays enough to get a big fancy printer that can do all the work for me. But I'm not holding my breathe. I'm just happy to be able to stay home with my kids and also do something that uses my creative side.
That's also why it hurts to find out about all of the pattern piracy going on these days online. I don't want to know that all of my hard work is being traded for invisible gold coins, or being illegally copied and sold as if it was the real thing. Know who you are buying from! Make sure they are legitimate! And if you get a bad feeling about a seller, or have reason to believe they are participating in pattern piracy, let us designers know! Read more here.
I had absolutely no intention of telling you all of that this morning. What I really logged on to comment about is that not only did the geekiest of the tech nerds at Fred Meyer recognize Counted Cross Stitch from my photos, but I also spotted Counted Cross Stitch at Chevy's this weekend.
You know that when a Tex-Mex restaurant chain uses Cross Stitch on their menu... what? We are mainstream? Current? Trendy? Ha! Well, maybe not, but at least we are such a part of pop culture we get a nod from the graphic designers who drive the ad campaigns. And I'm okay with that.
Cross Stitchers Never Say Die!
Tuesday, January 31, 2012
Seven Glimpses
Waiting for fabric, needing to be stitched, framed, or finished.
My workbasket is full.
Two antique reproductions, and five born of my imagination.
Seven new designs being prepared for you for the first half of 2012.
Just when I think I may run out of ideas, a perfect storm arrives and I have enough to last another year.
Please don't get tired of stitching my dears, because I doubt I will ever get tired of designing.
My workbasket is full.
Two antique reproductions, and five born of my imagination.
Seven new designs being prepared for you for the first half of 2012.
Just when I think I may run out of ideas, a perfect storm arrives and I have enough to last another year.
Please don't get tired of stitching my dears, because I doubt I will ever get tired of designing.
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